- 27 Nov 2016 18:44
#14742770
I'm glad you enjoyed it.
Very interesting, thank you very much. I'm going to follow up on that album.
Interesting thing about vascular dementia is how a person is affected depends on what part of the brain is affected by the vascular anomalies and TIAs.
I'm sure somewhere there must be a list of famous creatives who had bipolar disorder, but I suspect many non-famous creatives would be rather familiar with it in their own lives - or perhaps with expressing and creating and living primarily within the depths of depression.
recurnal wrote:I listened to the whole talk—many thanks for sharing it.
I'm glad you enjoyed it.
Gilbert does a good job of covering the relationship between creativity and suffering, which is something I've been fascinated by for a long time.
A good example of this relationship is the hereditary stroke disorder CADASIL, of which Friedrich Nietzsche is the most well-documented historical case. It begins during middle age and can manifest in migraines and mood disorders before leading to strokes and dementia. I sometimes wonder if CADASIL was what enabled Nietzsche to develop his philosophy, much of which concerns how modern people should approach mental and physical anguish.
Another, more recent example is Jeff Mangum from Neutral Milk Hotel, a band known for their work in the nineties. Mangum read The Diary of Anne Frank, cried for days, and then wrote an entire album's worth of music based on his dreams of a Jewish family during the Holocaust. The result, entitled In the Aeroplane Over the Sea, is widely hailed by critics as among the greatest albums of that decade. Mangum had a nervous breakdown one year later.
Very interesting, thank you very much. I'm going to follow up on that album.
Interesting thing about vascular dementia is how a person is affected depends on what part of the brain is affected by the vascular anomalies and TIAs.
Something I've grown to accept is that the human spirit follows a somewhat normal distribution. The greater the highs, in other words, the greater the lows. More creative spirits tend to have a higher variance—that is, they are prone both to euphoria and to dysphoria. Nietzsche himself, in The Gay Science, writes:
I don't think, though, that our creativity condemns us to suffering. Gilbert was right in saying the attitude we take towards genius can either encourage or discourage its manifestation. Moreover, placing the "tortured genius" in historical context makes sense.
I'm sure somewhere there must be a list of famous creatives who had bipolar disorder, but I suspect many non-famous creatives would be rather familiar with it in their own lives - or perhaps with expressing and creating and living primarily within the depths of depression.