[Thomasmariel]

The 1998 drama 54, about Studio 54, is a fascinating movie; its possibly average, depending on its allegorical meaning. Is its meaning that wonder shouldn't need physical distance?

[Heisenberg]

Yes.

[Thomasmariel]

Yes.

I agree in general. The motif seems to be that something that's small turns into something that's big, such as New York City itself, and then a person such as Julie Black becomes large, which ties into the idea that the film is about wonder and physical distance being foes. Distance has to be overcome for wonder to be known as correct

[Bulaba Khan Jones]

You actually asked a coherent question. Who are you, and where is the real Thomasmariel?

[Heisenberg]

I agree in general. The motif seems to be that something that's small turns into something that's big, such as New York City itself, and then a person such as Julie Black becomes large, which ties into the idea that the film is about wonder and physical distance being foes. Distance has to be overcome for wonder to be known as correct

Yes