A Good Man's Wars (book review) - Politics Forum.org | PoFo

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George Orwell
Homage to Catalonia

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George Orwell’s Homage to Catalonia is the classic account of his experiences fighting in the Spanish Civil War. Here Fascists, Revolutionaries, and a tantalizing Utopia all appear. But I was first struck by how the book fit neatly into the usually lighthearted genre of travel writing. Here Orwell, like so many Englishmen, writes of his trip to Spain – as he might be writing of France or Italy – as an escape to stuck up, dour old England. The country is loved, hated, romanticized, as we might expect. The Spaniards are disastrously disorganized – all actions (even vital) are always pushed to mañana – but they are good-hearted. The countryside and towns are splendid, though Orwell only had time to appreciate them after being discharged. He communicates in “Bad Spanish”. He meets Italians, Englishmen and Frenchmen who had also joined the militia (including their wicked accents). One could almost be reading the experiences of an Erasmus exchange student (centered in, of all places, Barcelona, the quintessential student/international Anglo-experience city). One is only brought back to that time by the occasional incongruity, the shocking statement from another world, as for instance when Orwell describes a young Italian militiaman’s face as having “both candour and ferocity in it; also the pathetic reverence that illiterate people have for their supposed superiors.”

Orwell is here because he is a radical revolutionary and is willing to die for it. Orwell had been a colonial policeman in Burma where he had seen the excesses and humiliations of British imperialism. He had gone to Eton with the offspring of the English ruling class but willingly went into poverty in the slums of London and Paris to see the conditions of the working class. Orwell hated it: the wretched poverty and brutal working conditions of the proletariat combined with that self-satisfied bourgeoisie that guarded its wealth and privileges behind a careful set of norms and prejudices. So Orwell loves Barcelona. He is enthralled with the Revolution. People say “Salud” instead of “Buenas Dias,” they call each other “Comrade” instead of “Don” or “Señor”. They no longer even tip in the restaurants as waiters are now the equals of patrons. He is unconcerned with the fact that all the churches have been wrecked (Orwell assures us, the Catholic Church in Spain “was a racket”). Things are run down, the war means deprivation, but Orwell satisfies himself with symbols: “Practically everyone wore rough working-class clothes, or blue overalls or some variant of the militia uniform. All this was queer and moving.” To Orwell there is no doubt: “I recognized it immediately as something worth fighting for. Also I believe that things were as they appeared, that this was really a workers’ State and that the entire bourgeoisie had either fled, been killed, or voluntarily come over to the worker’s side”.

So Orwell joins the militia and goes to the front. And here one would excuse him if he had become disillusioned. He does not embellish the fighting against Francisco Franco’s hated “Fascists”. Rather, we are constantly torn between war as so demanding on human beings as to reveal their nobler side, and war as at bottom a nasty, meaningless, if not outright boring thing. Orwell spent most of the serving in trenches, sometimes commanding thirty or so men. We meet a motley crew of Spaniards, teenagers and foreigners. They hardly have any weapons, any training or indeed basic equipment (like uniforms). The peasants curse both armies as crops are trampled and go unharvested. There us very little activity for weeks on end as the enemy mostly sticks to its side, the Republicans to theirs. Orwell seems more terrified of the bitter cold of spending a night in a trench in winter (or the occasional, necessary, bathing in a river) than of Fascist soldiers. He is as explicit as he can be about the unglamorous, downright unhygienic side of war. On the irrepressible ability of lice to spread at the front, he says:
I think pacifists might find it helpful to illustrate their pamphlets with enlarged photographs of lice. Glory of war, indeed! In war all soldiers are lousy, at least when it is warm enough. The men who fought at Verdun, at Waterloo, at Flodden, at Senlac, at Thermopylae – everyone of them had lice crawling over his testicles.
Orwell does participate in a little fighting, including a diversionary offensive. It is mostly graceless, however, and brought to an end by his being wounded. Here too it is a meaningless, empty thing. Orwell is shot in the neck, out of nowhere, and crumples to the ground, convinced it was friendly fire. Obviously he survived the event but it was a close run thing, and he thought he had permanently lost his voice for a time.

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Contrasting this is a sense – precisely because war is such a wretched thing – that to fight for a good cause is something noble too. It tugs at him. Orwell notes that wartime naturally turns even liberal regimes into despotic ones, he describes all the discomforts in detail, he warns against the dangers of Spanish hospitals where the nurses will steal your valuables… and yet the war is also a romantic thing. There is camaraderie in shared sacrifice. Orwell notes that whereas the Republican government’s factions of “Trotskyists,” Stalinists and Anarchists were at each others’ throats, at the front the vicious politicking of the cities was did not exist among these groups’ various militias. He even allows himself a little rhetorical flourish, once riding a train and seeing what “was like an allegorical picture of war; the trainload of fresh men gliding proudly up the line, the maimed men sliding slowly down, and all the while the guns on the open trucks making one’s heart leap as guns always do, and reviving that pernicious feeling, so difficult to get rid of, that war is glorious after all.” Even lousy, disheveled and maimed, the spirit of 1914 is not yet lost.

There is also, perhaps especially, the internal political war. Here it is of the constant, petty, and dangerous internecine fighting between the Republican government’s various leftwing factions. I cannot pretend to understand the intricacies of the P.O.U.M., C.N.T., F.A.I. and P.S.U.C. Here Orwell sees the decay of his Revolution as (paradoxically) the (Stalinist) Communists gradually take power, so bourgeois dress, norms and hierarchy return. There is almost a civil war within the civil war, as Communists and anti-Stalinists establish barricades in Barcelona, eyeing each other for days in case the tension should flare up into fighting in the streets.

We get a sense of the vicious sectarianism that is so characteristic of the hard left. Orwell spends a great deal of time correcting the “lies” that were spread in much of the Communist European press that described as “Fascist” those parties opposed to the Communist Party takeover in Catalonia. (We also learn something of his fringe status that he felt the need to rebuke what was a rather marginal movement in England.) This is Orwell’s education in totalitarianism. Many of the themes that would later find their way into 1984 are present. Onetime allies become eternal enemies as Communist thugs hurl the epithet “Trotskyist” at their rivals. Orwell’s own friends vanish one by one, held up incommunicado in Spanish prisons, where it seems inevitable they will die of neglect. The war against the Fascists, the real war, becomes a mere background to the internal struggle for supremacy. His Revolution is dying.

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Orwell leaves Spain as his membership of a non-Stalinist militia makes him a public enemy. He returns to an England that must have seemed rather unreal. If one is not in the mines, slums or factories, it is not an unpleasant place. Things are secure, timely, predictable. English travelers to Spain write in the papers that things are going fine because they “do not really believe in the existence of anything outside the smart hotels.” Always the sense that safe life in wealthy, stable, English-speaking countries makes one rather aloof and unable to fully understand the experiences of others. While in Spain, he had the inability to “shake off” the British notion that the police could not arrest him so long as he had done nothing wrong. In England the milk bottles, the cricket matches, and Royal weddings are there as they seemingly always have. But such calm in contrast with the war and upheaval of Spain does not bring Orwell peace of mind: “sometimes I fear that we shall never wake till we are jerked out of it by the roar of bombs.”

Homage to Catalonia is Orwell’s love letter to a Revolution. We are reminded of Orwell’s radicalism. It is striking how he spends no time at all to addressing the arguments of the Right (by which we mean any capitalist). They are enemies and that is a given. He is solely concerned about the nature and debates of the revolutionary Left. It says something of his priorities even as the radicalism of his legacy is carefully excised from our consciousness. It reminds us to of the banality, the inadequacy of contemporary politics. Who among the Left today would be willing to brave life and limb for their ideals? Our imaginations are shut. We cannot conceive of a better society, of another form of human organization. We dare not even try. And this is perhaps Orwell’s goal above all. To make us understand that there was a moment, however brief, in which he saw a window into another world, that the foundations of this one are not so solid. And if there is another world, that good men must risk themselves if we are to attain it.
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By HoniSoit
#13242222
I agree with your judgement, Ombrageux and have said many similar things myself.

Though I am not sure he was a radical revolutionary when he firstly went to Spain. He was definitely a socialist of some sort by that time. But I get the feeling that it is the Spanish Civil War that considerably transformed him personally and ideologically, though still not into a radical revolutionary but a skeptical (of the Stalinist Left) revolutionary.
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By Ombrageux
#13258849
Do we have anything on his position within Britain? He was always extremely hostile to the Labour Party, but I am not sure which means he was willing to use to advance Democratic Socialism.
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By HoniSoit
#13260402
From what I read, Orwell seems to be very vague on exactly what kind of society he wants and the means by which it should be reached. Even his statement about his democratic socialism is not elaborated. Here are some of the quotes I can recall:

The Spanish war and other events in 1936-37 turned the scale and thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it.
Why I write
http://www.orwell.ru/library/essays/wiw/english/e_wiw

For some years past I have managed to make the capitalist class pay me several pounds a week for writing books against capitalism. But I do not delude myself that this state of affairs is going to last forever ... the only régime which, in the long run, will dare to permit freedom of speech is a Socialist régime. If Fascism triumphs I am finished as a writer – that is to say, finished in my only effective capacity. That of itself would be a sufficient reason for joining a Socialist party.
Why I joined the Independent Labour Party
http://en.wikipedia.org/wiki/George_Orw ... ical_views

On the British Press (and also in the latter half of the essay on British intellectuals):

The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban...The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.
The Freedom of the Press
Orwell's Proposed Preface to ‘Animal Farm’
http://www.orwell.ru/library/novels/Ani ... ish/efp_go

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